Lead Artist Lauren Ader-Cumpston began her dance training at an early age in Conifer, Colorado. In 2004 she began to pursue training in classical ballet and studied under Nikoloz Makhateli and Anastasiya Buechele in Denver Colorado. In 2010, Lauren had the opportunity to train at the Gelsey Kirkland Academy of Classical Ballet in New York City and studied under teachers such as Gelsey Kirkland, Rinat Imaev, Karina Elver and Lyubov Fominich. While in New York, Lauren also performed with GKA’s Studio Company and danced in various demi-soloist and soloist roles in repertoire including The Nutcracker, La Sylphide, Paquita, “Cygnets” from Swan Lake, “Pas de Six” and “Ballabille” from Napoli, among others. Lauren moved to join Ballet 5:8 as a Company Artist with Ballet 5:8 in 2012 and was promoted to Lead Company artist in 2014. With Ballet 5:8 Lauren has performed various roles including Job in The Story of Job, the Spring Soloist in Four Seasons of the Soul, Darius in Belteshazzar: A Perilous Tale, and The Human in Interplay. Lauren also currently serves as the Ballet Mistress for Ballet 5:8 and as the Director of Residency Programs for Ballet 5:8 School of the Arts. 

 

Growing up in a military home, Lead Artist Brette Benedict has moved around her whole life. She started dancing at a very young age but began to study ballet seriously under the direction of Mrs. Geiger after moving to Michigan at the age of 12. Her last two years of high school she moved to Philadelphia to study at the Rock School for Dance Education. Brette was then accepted to the Jacob’s School of Music at Indiana University and got her Bachelor of Science in Ballet. Upon graduation Brette received an apprenticeship with the Rochester City Ballet and was promoted to dancer in 2013. Throughout her ballet career she has had the privilege of performing in many ballets including: soloist roles in Balanchine’s Serenade, Western Symphony, Raymonda, Who Cares?, and principle roles in Agnes DeMille’s Rodeo as the Rancher’s Daughter, Anthony tudor’s Lilac Garden as Caroline as well as Twyla Tharp’s Noir. She recently performed the role of Sugar plum for Cornerstone Academy for Performing Arts in their production of The Nutcracker. Brette is very thankful for all the teachers, coaches and family who have helped her achieve her goals as a dance. She has been a Company Artist with Ballet 5:8 since 2014 and now serves in a variety of roles in addition to dancing such as: Trainee Program Ballet Mistress, Ballet 5:8 Répétiteurand Instructor at Ballet 5:8 School of the Arts. Brette is also holds a RYT-200 certification in Yoga.

 

Solo Artist Lorianne Barclay was practically raised in an art bubble. Not only is her home town of Portland, Oregon a very art centered culture, but her family is a mix of fine artists and musicians. As a child, she could be found with her limbs in the most obscure positions. This caused her parents to put her in gymnastics at age three. Later she transitioned to ballet, finding it to be a beautiful arrangement of movement and artistry. She received her early training at Portland Metro Arts, and later went on to studying for 4 years under John Magnus in Portland Festival Ballet’s trainee program. Her summers were spent around the country studying with Ballet West, Summer Dance Lab, and awarded scholarships to train with Alonzo King Lines Ballet and Point Park University. In 2013, Lorianne choreographed a piece entitled “Inclus” which was selected as the winner of the Bloom project. Outside of dancing, she holds a degree in Graphic Design from the Academy of Art University. Lorianne has been dancing with Ballet 5:8 since 2013 and has been serving as Ballet 5:8's Costume Designer and Head of Wardrobe since 2014.

 

A native Houstonian, Solo Artist Stephanie Joe trained pre-professionally at the Houston Ballet’s Ben Stevenson Academy and had the opportunity to perform with Houston Ballet and Houston Ballet II.  She spent summers training on merit scholarship with Boston Ballet, Houston Ballet, Joffrey Ballet School (NYC), and most recently attended the Alonzo King LINES Ballet Summer Program in 2015.  During the summer of 2013, Stephanie attended Boston Ballet’s Choreographic Intensive where she worked with Helen Pickett, Thaddeus Davis, and Tanya Wideman-Davis.  She has performed works by choreographers such as Gerald Arpino, George Balanchine, Ben Stevenson, and Stanton Welch.  Stephanie holds a Bachelor of Arts degree from Duke University where she pursued interdisciplinary studies in business, dance, and design, graduating cum laude with distinction in dance.  During her time at Duke, she choreographed several main stage works.  In 2013, Stephanie co-founded Duke Ballet Company, the university’s first student-run ballet company, and served as artistic director, ballet mistress, and resident choreographer through 2016.

 

Solo Artist Antonio Rosario started dancing when he was fifteen at Ballet Hispanico. There he studied ballet, flamenco, jazz, Latin jazz, and modern. In 2010, Antonio received a full scholarship to study under legendary Ballerina Gelsey Kirkland, at the Gelsey Kirkland Academy of Classical Ballet (GKA). There he also studied under great Russian ballet teachers such as Lyubov Fominich, Vera Soloveyva, and Nikolay Levitsky. Antonio graduated from the Academy and joined The Gelsey Kirkland Ballet (GKB) in 2013. Antonio has danced various demi-soloist, soloist, and principal roles in GKA's and GKB's performances. Antonio's repertory includes The Nutcracker as the Prince and Spanish Soloist, Raymonda, Le Corsaire, The Sleeping Beauty, Swan Lake, La Bayadere, Marius Petipa's Harlequinade as Pierro, as well as works by the Danish choreographer Auguste Bournonville, such as La Ventana, Ballabile, and Jocky Dance. Antonio is also a Flamenco dancer who has gone to Spain to study the Andalusian art form. In 2014, Antonio won second place in the Flamenco Certmane Competition held in Lincoln Center, NYC. Antonio danced at Ballet Fantastique in Eugene, Oregon as a Soloist throughout the 2015/2016 season and also recently had the honor of performing with the Eugene Symphony at the Hult Center for the performing Arts in Eugene, Oregon. Antonio joined Ballet 5:8 


Originally from northern Indiana, Solo Artist Laura Schlatter began her dance training at the age of five.  Laura continued studying dance professionally under Beth McLeish and performed original works by Melinda Howe of Central Pennsylvania Youth Ballet and BalletMet’s Jimmy Orrante.  Throughout her career Laura has performed principal roles in ballets such as The Nutcracker and Copéllia as well as Giselle, Don Quixoté, Swan Lake, A Midsummer Night’s Dream and La Sylphide.  She was also a featured soloist in the Joffrey Ballet’s Birthday Variations choreographed by the late Gerald Arpino. Laura had the privilege of traveling to the National Festival de Danse in Montreal, Canada with the New American Youth Ballet where she performed Melinda Howe’s A Breathe of Hayden and received a scholarship to study with the Oklahoma City Ballet.  After dancing professionally with the Chattanooga Ballet, Laura is pleased to be joining Ballet 5:8 for her fourth season as a Company Artist. Laura also currently serves as the Ballet Mistress for Ballet 5:8 School of the Arts' Pre-Professional Program. 

 

Company Artist Olivia Kruse was born and raised in Fort Wayne, Indiana. She received her dance training at the New American Youth Ballet under Artistic Director Beth McLeish. While at the New American Youth Ballet, she had the pleasure of performing George Balanchine’s Serenade and Valse Fantaisie. She has spent summers training at Pacific Northwest Ballet, Central Pennsylvania Youth Ballet, and Ballet West. In 2014, she was given the opportunity to perform at the International Ballet Competition with the MidStates Region of Regional Dance America. After graduating high school, Olivia attended the University of Utah’s School of Dance. She will graduate with a BFA in Ballet and a BS in Psychology next year. Olivia is extremely humbled and excited to start her first season with Ballet 5:8. She looks forward to working with Artistic Director Julianna Slager and all the amazing dancers. She would like to thank her family for their unending support and God for his grace and guidance. 

 

Company Artist Samuel Opsal started dancing at the age of 16 in Pullman, WA. In 2014 he received a BFA in Dance from Cornish College of the Arts, graduating magna cum laude. While attending Cornish he was granted multiple awards for academic and artistic achievement. After college Samuel worked with Iyun Harrison’s Ashani Dances in Seattle and then moved to Pittsburgh to train in Pittsburgh Ballet Theatre’s Graduate Program. His performances include PBT’s Le CorsaireSleeping Beauty, and La Bayadere. As a guest artist he has performed principal roles in GiselleFirebird, and Swan Lake. In 2015 he also had the opportunity to choreograph a duet that was performed by PBT’s ensemble group. Samuel joined Ballet 5:8 in 2016.

 

Company Artist Bethany Patterson grew up in San Antonio, Texas where she began her training at Ballet Conservatory of South Texas under the direction of Catherine Batcheller. She later moved to North Caroline to study at the University of North Carolina School of the Arts and then to New York to study at SLK Ballet with Sara Knight. During her three years in New York she has performed at many hospitals and schools such as Morgan Stanley, Mount Sinai, and Sloan Kettering. In Italy, she performed at the AJD International Dance Festival and was invited to dance with the Central Ballet School in London. Over the years she has performed in Paquita, La Bayadere, Giselle, Sleeping Beauty, and Long Island Ballet Theatre's Nutcracker. After graduating from SLK Ballet, Beth is excited to start her first season with Ballet 5:8. 

 

Company Artist Summer Smith grew up in South Jersey, where she began dancing at a young age. Having an arts focused family, she received exposure to all types of art throughout her childhood and studied painting and drawing under her mentor, Patricia Witt. In high school, Summer decided to begin her serious training at The Rock School for Dance Education in Philadelphia. During this time, she received scholarships to study at Orlando Ballet, and in New York, at American Ballet Theatre. Following highschool, Summer attended The University of the Arts for Ballet and Painting. At Uarts, she was selected to perform works by Ronen Koresh, Christine Cox and Anastasia Babeyeva. She also worked with Douglas Becker, of the original Frankfurt Ballet, for his staging of "The Vile Parody of Address" by William Forsythe. During college, Summer dealt with some serious ballet burn-out, and decided to audition primarily for contemporary and jazz companies upon graduation. She is so thankful for God's sense of humor, as he completely pushed her to Ballet 5:8 and transformed her mindset with his overwhelming grace.  

 

Senior Apprentice Laura Peterman was born in Atlanta, Georgia, and raised in Ontario, Canada. She began ballet in Canada at age five with Catherine Kourkounakis, whom she trained with for ten years. While in Canada she also trained with Jeannette Lajeunesse Zingg, co-director of Opera Atelier and the School of Atelier Ballet, and performed in the National Ballet of Canada's Nutcracker. In high school Laura moved to Pittsburgh, PA to train at the Pittsburgh Ballet Theatre School. During high school, she attended summer intensives at Boston Ballet, Pittsburgh Ballet Theatre, and the Joffrey Academy of Dance, Chicago. After graduating high school, Laura moved to Chicago to join Ballet 5:8 as a trainee for their 2015/16 season, where she had the opportunity to dance roles in Four Seasons of the Soul, Mi Familia, Interplay, Eden, and Belteshazzar. Laura is excited to begin her first season as an apprentice with Ballet 5:8, and will also be teaching in the Ballet 5:8 School of the Arts.

 

Company Apprentice Morgan Kelly began dancing at an early age. She began competitive dancing at Elite Dance Center in styles such as jazz, contemporary, tap, ballet, and hip-hop. She had the opportunity to train at the Joffrey Academy of Dance in Chicago under the direction of Alexei Kremnev and Anna Reznik. She later graduated from the Joffrey Academy’s pre-professional program. She has also spent time training at the American Ballet Theatre in New York and Indiana University. In 2015 she joined the Trainee Program at Ballet 5:8 and graduated as a Trainee II in 2017. Morgan has performed in many full length ballets such as Cinderella, Sleeping Beauty, Coppelia, multiple Nutcrackers, and an original work by Alexei Kremnev, The Blue Bird of Happiness. She also had the opportunity to perform several times at the Roosevelt Theatre in Chicago for Joffrey’s Spring Gala. Since joining Ballet 5:8 she has had the opportunity to perform in multiple ballet’s for both the Company and the School of the Arts. She’s excited and grateful to be joining the company as an apprentice for the 2017-2018 Season. She has been teaching in the School of the Arts since 2015 and is looking forward to a another year of sharing her passion for dance with the next generation. Morgan is also looking forward to her new role in the school as the Youth Dance Division Director. 

 

Company Apprentice Jessica Lohr grew up in Houston, Texas where she began her dance training at age seven. She trained under the direction of Victoria Vittum, James Payne, and Bridget Payne through her high school years as well as spending her summers training at intensives around the United States including Boston Ballet, Texas Ballet Theater, Ballet Magnificat, and The Washington Ballet. Jessica was then accepted into The Washington Ballet’s Professional Training Program where she danced in productions of Don Quixote, Etudes, and The Nutcracker. In 2014 Jessica joined Ballet Magnificat as a trainee and was promoted to the Events Company the next year. She danced with the Events Company for two years performing productions including Jiri Voborsky’s Ruth, Light has Come, Most Incredible Christmas, and Tara Thibodeaux’s “The Arrival”. With the Events Company Jessica had the opportunity to tour to Honduras, Guam, and East Asia. She is excited to be joining Ballet 5:8 this season. 

 

Company Apprentice Emily Ratkos began her classical training at the age of seven in her home state of Michigan. She studied at the Academy of Performing Arts in Alma, MI, for four years under the direction of Kathy Francis, as well as adjunct ballet professors of Alma College Jenifer Sarver and Hazel Sabas (former principal with Ballet Philippines). At the age of sixteen Emily moved to Grand Rapids, MI, to train with the Grand Rapids Ballet School under Attila Mosolygo. At GRBS she performed with the Junior Company and was involved in company performances of The Nutcracker (choreographed by Val Caniparoli) and Swan Lake. As a student she attended summer programs with American Ballet Theatre, Ballet Met, Grand Rapids Ballet, and Ballet Magnificat. After high school Emily joined the Ballet 5:8 Trainee Program, performing company repertoire Ripple Effect, Surprised by Joy, The Stor(ies) of You and Me (choreographed by Caleb Mitchell), and Scarlet. She is thankful to start her first season with Ballet 5:8 as an apprentice. 

 

Trainees

Trainee II 2016/17 (right-left): Kelsey Walhout, Morgan Kelly-Williams, Annika Grasman, Libby Dennen, and Emily Ratkos.

Trainee II 2016/17 (right-left): Kelsey Walhout, Morgan Kelly-Williams, Annika Grasman, Libby Dennen, and Emily Ratkos.

 
Trainee I 2016/17 (Right-left): Amaris Mills, Courtney Moran, Olivia Lane, and Brianna Klein

Trainee I 2016/17 (Right-left): Amaris Mills, Courtney Moran, Olivia Lane, and Brianna Klein