Ballet 5:8 Essentials, September 6th with John Szwast
Ballet Class Focus | Footwork, Speed & Articulation
10:00AM – 11:30AM
Master Class | Bring Your Own Boy Pas de Deux Workshop
11:30AM – 12:30PM
Sharpen your speed, clarity, and articulation in this focused technique class, then stay for a fun and family-friendly Pas de Deux workshop. Dancers are invited to bring a dad, brother, or friend to learn the basics of partnering. This special workshop is a chance to share the joy of dance and get families involved.
Open to dancers ages 11+ from any studio
Suitable for B58S students in Ballet 2A or higher
Drop-in Fee: $28 for Technique Class
B58S Students: Complimentary technique class
Pas de Deux Workshop: FREE
About the Instructor
John Szwast is a rising Company Artist with Ballet 5:8 whose grounded strength and quiet intensity have made him a compelling presence on stage and in the studio. Since joining the organization, he has originated lead roles in Celestia, Dreamer, Beyond the Nutcracker, BareFace, and Cinder Ella—each role showcasing his remarkable growth, musical sensitivity, and capacity for nuanced storytelling.
John began dancing at the age of 15, pursuing formal training after discovering a deep personal connection to the art form. Upon graduating high school, he joined Ballet 5:8’s Conservatory Program, where he trained intensively in both classical and contemporary technique. His work ethic and artistry quickly earned him a place in Ballet 5:8’s Second Company, where he gained invaluable performance experience and further honed his technical skills.
During his time as a student, John also served as a Teacher Assistant in the School of Ballet 5:8, where he began developing his passion for teaching. Now a full faculty member, he continues to mentor young dancers with insight, patience, and a deep understanding of the student journey. As both an artist and educator, John brings intentionality and integrity to every aspect of his work, remaining committed to stewarding the next generation of artists while expanding his own voice as a performer.
